This piece measures 3.5 x 3.5 inches. Please see my photos for further size reference in comparison to my hand.
This item is made to order. Please allow us 1 week to create your item and have it shipped to you.
It is made of pine, finished with a beautiful black ebony stain and I have attached a saw tooth hanger on the back for easy placement.
All of my wood projects are 100% handmade, sanded down by hand and I use a wood burning tool to engrave the images within the wood.
I can make hangers similar to this custom. If you have an idea feel free to shoot me a message :)
A bit about the elder futhark:
The Elder Futhark (also called Elder Fuþark, Older Futhark, Old Futhark or Germanic Futhark) is the oldest form of the runic alphabets. It was a writing system used by Germanic tribes for Northwest Germanic dialects in the Migration Period. Its inscriptions are found on artifacts (including jewelry, amulets, tools, weapons, and runestones) from the 2nd to the 8th centuries.
In Scandinavia, from the late 8th century, the script was simplified to the Younger Futhark, and the Anglo-Saxons and Frisians extended the Futhark, which eventually became the Anglo-Saxon futhorc. Unlike the Anglo-Saxon furhorc and the Younger Futharks, which remained in use during the Early and the High Middle Ages respectively, knowledge of how to read the Elder Futhark was forgotten until 1865, when it was deciphered by Norwegian scholar Sophus Bugge
A bit about Freya:
In Norse mythology, Freyja (/ˈfreɪə/; Old Norse for "(the) Lady") is a goddess associated with love, sex, beauty, fertility, gold, seiðr, war, and death. Freyja is the owner of the necklace Brísingamen, rides a chariot pulled by two cats, accompanied by the boar Hildisvíni, and possesses a cloak of falcon feathers. By her husband Óðr, she is the mother of two daughters, Hnoss and Gersemi. Along with her twin brother Freyr, her father Njörðr, and her mother (Njörðr's sister, unnamed in sources), she is a member of the Vanir. Stemming from Old Norse Freyja, modern forms of the name include Freya, Freyia, and Freja.
Freyja rules over her heavenly field Fólkvangr and there receives half of those that die in battle, whereas the other half go to the god Odin's hall, Valhalla. Within Fólkvangr lies her hall, Sessrúmnir. Freyja assists other deities by allowing them to use her feathered cloak, is invoked in matters of fertility and love, and is frequently sought after by powerful jötnar who wish to make her their wife. Freyja's husband, the god Óðr, is frequently absent. She cries tears of red gold for him, and searches for him under assumed names. Freyja has numerous names, including Gefn, Hörn, Mardöll, Sýr, Valfreyja, and Vanadís.
Freyja is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources; in the Prose Edda and Heimskringla, composed by Snorri Sturluson in the 13th century; in several Sagas of Icelanders; in the short story Sörla þáttr; in the poetry of skalds; and into the modern age in Scandinavian folklore.
Scholars have debated whether Freyja and the goddess Frigg ultimately stem from a single goddess common among the Germanic peoples; connected her connection to the valkyries, female battlefield choosers of the slain; and analyzed her relation to other goddesses and figures in Germanic mythology, including the thrice-burnt and thrice-reborn Gullveig/Heiðr, the goddesses Gefjon, Skaði, Þorgerðr Hölgabrúðr and Irpa, Menglöð, and the 1st century CE "Isis" of the Suebi. Freyja's name appears in numerous place names in Scandinavia, with a high concentration in southern Sweden. Various plants in Scandinavia once bore her name, but it was replaced with the name of the Virgin Mary during the process of Christianization. Rural Scandinavians continued to acknowledge Freyja as a supernatural figure into the 19th century, and Freyja has inspired various works of art.